‘A story always tells two stories . . . the visible narrative always hides a secret tale’. Attempting an overhaul of my laptop’s photo collection, I come across a picture of Eduardo Halfon, standing across the road from Coffee a Gogo in Cardiff, in front of a makeshift sign that (miraculously) cites the opening lines of his book, The Polish Boxer. No one is sure how the signs got there, but we have our suspicions. Tellingly, the word ‘tells’ is missing. It reappeared by the evening of that day. I wonder where it went in the meantime, and what it told.
Meanwhile, from Bogotá, a photo from my hotel bedroom on the 13th floor, overlooking Avenida Septima. This distorted image – taken through a rather dirty window framed by outside bars – captured for me the fuzziness of arrival, and waking to a morning in the capital of a country whose catastrophic history tells so many secret tales that the visible narrative has almost disappeared entirely.