Ricardo Blanco's Blog

Engrained confusion and Freudian typos

Are there words that you always seem to mis-type? I don’t mean mis-spell when writing longhand, but mis-type, when typing in a hurry, when the words are coming out faster than the fingers can organise them into print… Read More

‘Stories can wait’: Mavis Gallant and taking your time over reading

I have taken my time reading the Paris Stories of Mavis Gallant, which is what she would have liked. But coming to the end of the book (in the elegant NYRB edition with Gallant’s own afterword) I am left… Read More

Killing your darlings

For the past few years, whenever people ask me the dread question of ‘what are you working on’ I have mumbled something about a novel called The Blue Tent. The truth is, I have been writing TBT, on… Read More

Montaigne’s Tower

  ‘Habit’ according to Samuel Beckett, ‘is the ballast that chains the dog to his vomit’: and it is precisely what Montaigne seeks to uncover and dismantle in his essays. He does this in various ways, but one… Read More

I set out on a journey

  Imagine my surprise (horror/fascination/wonder) on receiving a photo on my iphone a couple of months ago, displaying the shoulder of a regular at The Promised Land (a charming fellow and good acquaintance: I do not know him… Read More

Waiting for Godot and Caspar David Friedrich

  How wonderful the little connections that pile up in the day to day. Blanco has long had an interest in the German expressionist painters of the early twentieth century, and was interested to learn, while reading about… Read More

Beckett, Ritsos and stones

  I am reading James Knowlson’s Damned to Fame: A Life of Samuel Beckett, which seems to be everything a literary biography should aspire to, and discover two passages that demand to be shared; the first of these… Read More

The Kindly Ones

Well, I finished The Kindly Ones on the way here, actually at a little eatery called One Flew South in Atlanta airport, the only place that wasn’t a McDonalds or a Dunkin’ Donuts. The ending was a bit… Read More

The past deforms the present: ‘Eye Lake’ by Tristan Hughes

The first sentence of Tristan Hughes’ new novel goes like this: “ I was casting out from the eastern shore of Eye Lake, opposite the second island, when I snagged the top of my grandfather Clarence’s castle.” Imagine the… Read More