Richard Gwyn

Varieties of Exile: Antonio Machado, Walter Benjamin, and an unknown teenager.

‘Once near a border, it is impossible not to be involved, not to want to exorcise or transgress something. Just by being there, the border is an invitation. Come on, it whispers, step across this line. If you… Read More

On getting lost

‘For [Virginia] Woolf, getting lost was not a matter of geography so much as identity, a passionate desire, even an urgent need, to become no one and anyone, to shake off the shackles that remind you who you… Read More

Something we cannot see

I have never been a great rummager, but perhaps that is changing. Last Sunday I was passing a second-hand bookshop in a quiet corner of Dorsoduro, Venice. In among the boxes of old photographs, no doubt excavated from… Read More

Writing in bed

  I suppose it’s inevitable that we return to the same themes again and again in the course of a writing career, particularly – as is inevitably the case – the same damn things keep cropping up. Take… Read More

Post-canícula promenade

  The howling of the village dogs has calmed down over the past week, due to the passing of the canícula (named for the dog star, Sirius, and its associated theme of mad dogs/midday sun, hence also ‘dog… Read More

The Black Lake of Antonio Machado

  El ojo que ves no es ojo porqué tú le veas  es ojo porqué te ve.   The eye you see is not an eye because you see it but because it sees you.   This morning,… Read More

Walter Benjamin at Portbou

Yesterday an excursion to Portbou and a picnic on a nearby beach to celebrate the birthday of our dear friend Juliette. As usual our large and straggling international party effectively turned a section of the beach into an… Read More