Richard Gwyn

Notes from a Catalan Village: The Grape Harvest

Late September: the tourists have abandoned the beaches, and only a few resolute locals and French day-trippers can be found on a Sunday at Colera’s platja dels morts, where we spend a delightful couple of hours reading and… Read More

Fiction Fiesta, reality, and Alastair Reid

The first Borges story I ever read was ‘Tlön, Uqbar, Orbis Tertius’, in the translation by Alastair Reid, while living in a derelict shepherd’s hut on a Cretan hillside. A couple of years later, like so many others… Read More

No ideas but in things

Since I began teaching creative writing, some fifteen years ago, I have become accustomed to the sad refrain from younger writers that although they fervently wish to write – or perhaps ‘become a writer’, which may or may… Read More

Burial chamber

When you go in search of dolmens, or megalithic tombs, they are not necessarily where you last remember seeing them. If you remember them at all. This one never was so far, nor the path so steep, nor… Read More

How long is a piece of string?

Or how long should a piece of writing be? Reflecting on this, in relation to a piece I am working on, I haphazardly check into an article in The New Yorker and am reminded by John McPhee that… Read More

‘Stories can wait’: Mavis Gallant and taking your time over reading

I have taken my time reading the Paris Stories of Mavis Gallant, which is what she would have liked. But coming to the end of the book (in the elegant NYRB edition with Gallant’s own afterword) I am left… Read More

Information overload on the beach

There was a time when a beach was simply a beach. You took your clothes off, and if you were so inclined donned a bathing costume (or swimming suit) and splashed around in the sea. Upon exiting the… Read More

Knausgaard’s Struggle, or How forgetting stuff can help you remember it more honestly

I have had Karl Ove Knausgaard’s work on my reading list for a while, particularly as some of the better critics have sung his praises (for example James Wood, writing in The New Yorker, or Boyd Tonkin, in… Read More